Well, hello.
So I signed up for that awesome Jill Bernard three-day workshop and only made it to one class. Why only one day? Tuesday night, while we were working out the VAPAPO (Voice/Attitude/Posture/Animal/Prop/Obsession) method and finding voices in various body parts and singing and shouting and generally making with the awesome, I pulled a stitch out of my still-healing, still-painful gums.
And that sucker HURT.
I spent the last hour of class trying not to talk very loudly and under the influence of some extra-strong narcotics. Pain continued to plague me and my inability smile/laugh/eat all week so I sat out the rest of the session and felt really lame about it. But lucky for me, that one day was awesome and totally worth the price of admission.
My regularly scheduled Coldtowne classes started this week, too. The Harold. THE HAROLD. I’m really excited about it, and my instructors are both awesome and they came into class swinging with concepts (and one, with a chart!) and I can’t say how the other seven weeks are going to go, but we’re off to a running start. (I say “instructors” because I’m determined to attend class Mondays *and* Tuesdays to get the most out of it. IT’S THE HAROLD, Y’ALL.)
Wait … this post, this whole post is supposed to be about what I learned in the JB workshop and already I’m not doing it right.
Here’s a giant photo that captures the four-quadrants of the body theory that I’m going to practice the shit out of because it really opened up my mind to the range of potential physicality on stage:
The arrows there are meant to show how if you move your body in the forward/backward (outward/inward) directions of each quadrant, it designates what you’re projecting.
Head high and forward? Intellect.
Head back and down? Imbecility.
Chest high and out? Confidence/Love.
Shoulders curled under? Insecurity/Rejection.
Your pelvis? Sensuality.
Feet wide and planted? Grounded/Strong.
Moving your feet? Joy/Playfulness.
Now the actors among us probably knew this already. But I’m a writer, and I didn’t.
Go into scenes with these atributes, and you know what you are. Your scene partner can “recognize the shape” and name it. And name you, because as much as I keep hearing and being reminded to name my scene partner, I can’t hear it enough. The audience doesn’t care about characters who don’t have names. Also, names make it easier to call back scenes. “Hey LADY!” is a name as much as “Hey, ARCHIE!” is a name.
Golden advice and worth the cash and the pain.
I looked back at this journal and it looks like I’ve been dealing with this zombie tooth since December. DECEMBER. Last night I was up all night after 2:26 a.m. (like my specificity?) sucking on popsicles and pain pills. NO. FUN.
This weekend looks like a weekend of soft food and smoothies and staying out of this infernal heat. AND THE COLDTOWNE IMPROV FANTASY LEAGUE! How could I forget to pimp that??